Pro Sound Engineering

CREATIVE MIXING & MASTERING

This module involves a comprehensive coverage of the various tools and techniques used for mixing music. You will learn to balance different instruments and voices in a recording, place them in the stereo field by adjusting panorama and imaging, and develop application knowledge of concepts such as pan depth and MS. You will familiarise well with the use of dynamic processors (gate, compressor, limiter, de-esser, maximiser), Equalisers (EQ),  various time based effects (reverb, delay and modulation) and harmonic processing (exciter, distortion etc). You also will develop a solid understanding of mix automation techniques and the concepts involved in mastering finished mixes for release.

Learning Outcomes –

• Use various tools to perform audio mixing of a music project
• Use variety of audio analysis tools to analyze the various parameters of sound quality
• Deliver masters that complies with the various requirements for deliverable
• Identify the various mix techniques that will result in a creatively satisfying output as per the genre of the song

LIVE SOUND MIXING

This module involves an in-depth study of the various tools and techniques used to mix sound for live events. You will learn to mix front of house (FOH) and monitor sound for bands in a fully equipped live venue using professional equipment from Harman. Through weekly practical work, you will learn to mix various instruments, voices and vocal groups using digital live sound consoles for on-stage performances, and will learn to apply advanced live mixing techniques such as VCA/DCA control of input groups, parallel compression, LCR panning, etc,. You will also learn to prepare and interpret various technical production documents used during live events, and develop communication and leadership skills to function effectively in production teams.

Learning Outcomes –

• Mix live sound events and deliver an enjoyable experience to the audience
• Ensure that the soundcheck is productive and artists are satisfied with your balance
• Ensure that the all additional production such as video playback and lighting is carried out satisfactorily
• Use various processing skills and techniques to create appropriate balance for the artist and the genre

Faculty

Kishore Banan

Kishore Banan

Kishore Banan was the head of academics at the School of Audio Engineering, Mumbai. He has trained students of Sound Engineering for over 12 years and is currently a freelance sound engineer and an educator. His passion spans the entire spectrum of sound engineering, covering areas such as Digital Audio Technology, Digital Audio Workstations, Acoustics etc. He is excited to share the myriad possibilities that digital audio workstations bring to the modern world of audio production.

MUSIC BUSINESS

These modules start by introducing the fundamentals of music and entertainment business. You will gain a deeper insight into the business of music by learning artist & repertoire (A&R) concepts, target group identification, publishing, live performances, digital distribution practices and their associated revenue streams. You will then familiarise with contracts, legal agreements, permits and licenses, and learn techniques that enhance your analytical (SWOT), communication and negotiation skills. The modules finally culminate in the practical application of the concepts learnt in the previous music business modules to plan and produce a music event, and you will work in a team and play specific roles and functions within the team to realise the project. This module fosters teamwork, leadership and entrepreneurial abilities, and provides practical experience in working with artists, performance venues, sound & light rental companies, ticketing companies and other stakeholders and partners.

Learning Outcomes –

• Understand the constituent parts of the global, and local, music industry
• Recognise commercial elements in a song
• Recognise the various components of the Live Music Ecosystem
• Demonstrate understanding of artist management by identifying the roles and responsibilities of the manager
• Analyze and interpret basic Indian contract structure

Faculty

Vehrnon Ibrahim

Vehrnon Ibrahim

Vehrnon has had many long term rolls in his career including Vice President of various National FM Radio Networks, a House Music DJ, Frontman of Indian Heavy Metal band Millennium, an Event Director, an Audio Engineer both live and in studios, a Music Producer and Song Writer, a Stage and Lighting Designer, the Creative Director of an Interactive Television Company and a regular Commentator on Music, Culture and Creativity…

Today, Vehrnon continues to work in Live Music Events, Radio and other Media and is also an Independent Music Artist Advisor with “FreeWillMusic” a system designed to help them make and keep more money…

ADVANCED MIXING & MASTERING

Building on your familiarity with mixing tools and technical abilities developed previously, this module focuses on the stylistic and creative approaches to mixing and mastering music in different genres. This practical module involves stylistic study of mixing Rock, Pop, Jazz, and Bollywood, with a focus on the treatment of vocals, guitars, drums and percussions in these genres. You will explore the application of a range of digital audio effects and processing techniques, and learn advanced mastering techniques.

Learning Outcomes –

• Mix music and master tracks using showcasing technical prowess and creativity
• Ensure that hardware and software processing tools are used
• Ensure that the balance and treatment is consistent with the genre of the song
• Use your discretion to apply creative treatment in the mix

Faculty

Kishore Banan

Kishore Banan

Kishore Banan was the head of academics at the School of Audio Engineering, Mumbai. He has trained students of Sound Engineering for over 12 years and is currently a freelance sound engineer and an educator. His passion spans the entire spectrum of sound engineering, covering areas such as Digital Audio Technology, Digital Audio Workstations, Acoustics etc. He is excited to share the myriad possibilities that digital audio workstations bring to the modern world of audio production.

SOUND DESIGN FOR VISUALS

In this module, you will learn the fundamentals of sound production for film, TV and digitally distributed video content. You will gain an overview of the history of film sound, video and film technology, and the various delivery formats. You will learn about production sound, and develop DAW skills for dialogue clean up, ADR and dialogue editing. You will explore sound effects (SFX) editing in detail, and learn foley recording and editing, use of stock effects, and original SFX design using a variety of sound design techniques. You will also learn to prepare and deliver sessions for final rerecording mixes.

Learning Outcomes –

• Record and Arrange audio content for provided video cli
• Ensure that the audio content is high quality
• Ensure that the palette of foley and sfx support the storytelling
• Ensure that the editing results in an engaging soundtrack

Faculty

Ganesh Gangadharan

Ganesh Gangadharan

Ganesh Gangadharan is the Supervising Sound Editor and Sound Designer at YRF Studios, Mumbai.

Having worked on more than 30 notable movies, he is recognized in the industry for his skills in elevating action sequences using sound design. His noted works include Dhoom 3, Ek Tha Tiger, Band Baaja Baaraat, Gunday, Aurangzeb, Chak De! India, Lahore, etc. to name a few.

The opportunity of working with renowned directors like Shimit Amin, Kabir Khan, Vijay Krishna Acharya and Aditya Chopra has enhanced his skills and helped attain a high level of competence.

MIXING SOUND FOR VISUALS

In this module, you will learn to mix dialogues, sound effects and music in sync to visuals. You will explore creative approaches to shape soundtracks that complement visual content, and apply previously learnt mixing tools and techniques to create well balanced audio mixes that enhance storytelling in visual media. You will learn to create perspective, space and dynamic balance in soundtracks using advanced mixing and automation techniques, and learn to output the final mix in formats required for the various final distribution media.

Learning Outcomes –

• Mix audio content for provided video clip
• Ensure that the audio content is high quality
• Ensure that the rerecording mix  supports the storytelling
• Ensure that the mix results in an engaging and exciting soundtrack

Faculty

Ganesh Gangadharan

Ganesh Gangadharan

Ganesh Gangadharan is the Supervising Sound Editor and Sound Designer at YRF Studios, Mumbai.

Having worked on more than 30 notable movies, he is recognized in the industry for his skills in elevating action sequences using sound design. His noted works include Dhoom 3, Ek Tha Tiger, Band Baaja Baaraat, Gunday, Aurangzeb, Chak De! India, Lahore, etc. to name a few.

The opportunity of working with renowned directors like Shimit Amin, Kabir Khan, Vijay Krishna Acharya and Aditya Chopra has enhanced his skills and helped attain a high level of competence.

SOUND PRODUCTION PROJECT – I

In this module you will define and realise an independent portfolio that demonstrates your key competencies in engineering sound. You will work in consultation with the module faculty to plan and realise your portfolio project with clear and well defined outcomes. The portfolio will demonstrate your ability to independently plan and manage an entire production workflow and resources within a predefined schedule, and to reflect critically on the overall project outcomes.

Learning Outcomes –

• Record and Arrange all content for Music Album Portfolio Project
• Mix and Master high quality tracks for the Music Album Portfolio Project
• Ensure that all session elements are prepared to the correct technical specification
• Ensure that the album is supported with album art and production information

Faculty

Kishore Banan

Kishore Banan

Kishore Banan was the head of academics at the School of Audio Engineering, Mumbai. He has trained students of Sound Engineering for over 12 years and is currently a freelance sound engineer and an educator. His passion spans the entire spectrum of sound engineering, covering areas such as Digital Audio Technology, Digital Audio Workstations, Acoustics etc. He is excited to share the myriad possibilities that digital audio workstations bring to the modern world of audio production.

Ganesh Gangadharan

Ganesh Gangadharan

Ganesh Gangadharan is the Supervising Sound Editor and Sound Designer at YRF Studios, Mumbai.

Having worked on more than 30 notable movies, he is recognized in the industry for his skills in elevating action sequences using sound design. His noted works include Dhoom 3, Ek Tha Tiger, Band Baaja Baaraat, Gunday, Aurangzeb, Chak De! India, Lahore, etc. to name a few.

The opportunity of working with renowned directors like Shimit Amin, Kabir Khan, Vijay Krishna Acharya and Aditya Chopra has enhanced his skills and helped attain a high level of competence.

SOUND PRODUCTION PROJECT – II

In this independent module you will define and realise a significant body of works that demonstrates your professional abilities. Your portfolio will include at least two different types of sound production works, and the outcomes/products will form your professional portfolio that showcases your abilities to potential employers. Your professional work portfolio will be reviewed by a panel of industry experts, and you will receive in-person feedback on your work from the pan

Learning Outcomes –

• Record and Arrange all content for Sound Design Portfolio Project
• Mix a high quality soundtrack for the Sound Design Portfolio Project
• Ensure that all session elements are prepared to the correct technical specification
• Ensure that the sound design enhances the storytelling of the visual content

Faculty

Kishore Banan

Kishore Banan

Kishore Banan was the head of academics at the School of Audio Engineering, Mumbai. He has trained students of Sound Engineering for over 12 years and is currently a freelance sound engineer and an educator. His passion spans the entire spectrum of sound engineering, covering areas such as Digital Audio Technology, Digital Audio Workstations, Acoustics etc. He is excited to share the myriad possibilities that digital audio workstations bring to the modern world of audio production.

Ganesh Gangadharan

Ganesh Gangadharan

Ganesh Gangadharan is the Supervising Sound Editor and Sound Designer at YRF Studios, Mumbai.

Having worked on more than 30 notable movies, he is recognized in the industry for his skills in elevating action sequences using sound design. His noted works include Dhoom 3, Ek Tha Tiger, Band Baaja Baaraat, Gunday, Aurangzeb, Chak De! India, Lahore, etc. to name a few.

The opportunity of working with renowned directors like Shimit Amin, Kabir Khan, Vijay Krishna Acharya and Aditya Chopra has enhanced his skills and helped attain a high level of competence.

INTERNSHIP

This module prepares you to be fully ready to meet the professional expectations and challenges of real world work. You will learn to prepare a professional development plan (PDP), bio, resume and a digital portfolio that reflect your chosen career path in the pro audio industry. You will engage in an internship placement at a professional site and document your learning from the internship experience, and prepare a revised professional development plan based on it to meet your career goals.